Brahms: Ein deutsches Requiem Philharmonisches Staatsorchester Hamburg & Kent Nagano

• Johannes Brahms (1833 - 1897): Ein deutsches Requiem, Op. 45 (Bremen Version):
• 1 Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version): I. Selig sind, die da Leid tragen 09:57
• 2 Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version): II. Denn alles Fleisch, es ist wie Gras 14:04
• 3 Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version): III. Herr, lehre doch mich 09:32
• Johann Sebastian Bach (1685 - 1750): Violin Concerto in A Minor, BWV 1041:
• 4 Bach: Violin Concerto in A Minor, BWV 1041: II. Andante (Version for Violin and Organ) 05:59
• Giuseppe Tartini (1692 - 1770): Violin Concerto in B-Flat Major, D 120:
• 5 Tartini: Violin Concerto in B-Flat Major, D 120: II. Andante (Version for Violin and Organ) 02:19
• Robert Schumann (1810 - 1856): Abendlied, Op. 85, No. 12 (Version for violin and organ):
• 6 Schumann: Abendlied, Op. 85, No. 12 (Version for violin and organ) 02:55
• Johannes Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version):
• 7 Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version): IV. Wie lieblich sind Deine Wohnungen 04:56
• 8 Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version): VI. Denn wir haben hie 11:16
• 9 Brahms: Ein deutsches Requiem, Op. 45 (Bremen Version): VII. Selig sind die Toten 10:50
• Johann Sebastian Bach: St Matthew Passion, BWV 244:
• 10 Bach: St Matthew Passion, BWV 244: 39. Erbarme dich 07:37
• Georg Frideric Handel (1685 - 1759): Der Messias:
• 11 Handel: Der Messias: 16. Kommt her und seht das Lamm 02:56
• 12 Handel: Der Messias: 33. Ich weiß, dass mein Erlöser lebet 06:18
• 13 Handel: Der Messias: 32. Halleluja 04:05
• Total Runtime 01:32:44

Info for Brahms: Ein deutsches Requiem

In August 2022, Johannes Brahms' “Deutsches Requiem” was once again performed and recorded, this time by the Hamburg Philharmonic State Orchestra under Kent Nagano in Hamburg's Elbphilharmonie concert hall. Surprisingly, the choral masterpiece is not performed in its usual seven-movement version, but in the version in which it was premiered on 10 April 1868 (Good Friday) under Brahms' direction in Bremen Cathedral, without the fifth movement for soprano and choir, which was only completed later that year. On the other hand, there are numerous interludes, instrumental and vocal, secular and sacred, by Bach, Tartini, Schumann and Handel - including pieces that were considered essential components of a Good Friday concert at the time. Such a programme may seem unusual today, but these musical additions shed new light on Brahms' work, which in this version manifests itself as what Umberto Eco would have called an “open work”. The performance of the work in the form in which it was heard at the Bremen premiere is more than just a reconstruction: it enriches our understanding of this unique music. It is also remarkable that a total of nine choirs and vocal ensembles took part. Mezzo-soprano Kate Lindsey, baritone Jóhann Kristinsson, violinist Veronika Eberle and organist Thomas Cornelius also took part.

Kate Lindsey, mezzo-soprano
Johannes Kristinsson, baritone
Veronika Eberle, violin
Thomas Cornelius, organ
Choir of the Klangverwaltung
Hamburg Philharmonic State Orchestra
Kent Nagano, conductor

Kent Nagano
Kent Nagano is renowned for interpretations of clarity, elegance and intelligence. He is equally at home in music of the classical, romantic and contemporary eras, introducing concert and opera audiences throughout the world to new and rediscovered music and offering fresh insights into established repertoire. He has been Music Director of the Orchestre symphonique de Montréal (OSM) since September 2006. In September 2015, he took up the position of General Music Director of the Staatsoper Hamburg and Chief Conductor of the Philharmonisches Staatsorchester Hamburg. Further, in September 2013 he became Principal Guest Conductor of the Gothenburg Symphony Orchestra. Since 2006 he has been appointed Honorary Conductor of the Deutsches Symphonie-Orchester Berlin.

In July 2018, Kent Nagano conducted Krzysztof Penderecki’s St. Luke Passion with the OSM on the occasion of the Salzburg Festival opening concert. In August 2018 he stood at the rostrum of Vienna Philharmonic, conducting the new production of Hans Werner Henze’s The Bassarids at the Salzburg Festival.

Kent Nagano starts season 2018/19 with an OSM tour into arctic Quebec. In January 2019 he will then go on tour through Spain with the Philharmonisches Staatsorchester Hamburg. At the Staatsoper Hamburg Kent Nagano conducts the premieres of Schumann’s Scenes from Goethe’s Faust and George Benjamin’s Lessons in Love and Violence as well as performances of the entire Ring by Wagner in autumn 2018.

Highlights of Kent Nagano’s previous seasons in Hamburg were the premiere of Berlioz‘ Les Troyens, the world premiere of Hosokawa’s Stilles Meer, Messiaen’s Turangalîla with the Hamburg Ballett and John Neumeier, the premieres of Wagner’s Parsifal and Beethoven’s Fidelio, the „Philharmonische Akademie“ – a project in the tradition of musical academies of the 18th/19th century –, as well as the South America Tour with the Philharmonisches Staatsorchester Hamburg, the premieres of Berg’s Lulu and Strauss’ Frau ohne Schatten and the world premiere of Jörg Widmann’s oratorio ARCHE – composed on the occasion of the inauguration of the Elbphilharmonie in January 2017. The live recording of this concert will be released on CD by ECM in autumn 2018.

Kent Nagano will go on a Europe tour with the OSM in March 2019, with concerts in Berlin, Vienna, Munich, etc.

A milestone in Kent Nagano’s collaboration with the (OSM) was the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011. In October 2016, he conducted the world premier of José Evangelista’s Accelerando – a commission by the OSM on the occasion of the 50th anniversary of Montréal’s metro. In November of the same year he conducted a semi-staged production of the Matthäus-Passion. Further highlights with the orchestra include the complete cycles of Beethoven and Mahler symphonies, Schoenberg’s Gurrelieder, concert versions of Wagner’s Tannhäuser, Tristan und Isolde, Das Rheingold, Honegger’s Jeanne d’Arc au Bûcher, Messiaen’s Saint François d’Assise, and concert series featuring the works of Dutilleux (2010-11) and Boulez (2011-12). Nagano has taken the orchestra on a coast-to-coast tour of Canada and also to tours to Japan, South Korea, Europe and South America. Their last tour was in spring 2016 through the US, with stops in Washington, Boston and New York. Their recordings together include Mahler’s Orchestral Songs with Christian Gerhaher, Beethoven’s Piano Concertos Nos. 4 & 5 and a complete recording of all the Symphonies by Beethoven of which the album “Ideals of the French Revolution” with Symphony No. 5 won a Juno award. In March 2015 Kent Nagano conducted the North American Premiere of L’Aiglon, a rare opera of Honegger and Ibert. This production was recorded and released by Decca. Danse Macabre followed as second production with Decca, with works by Dukas, Dvořák, Mussorgsky, Balakirev, Saint-Saens and Ives in October 2016. In June 2018, A quiet place by Leonard Bernstein were released also with Decca as third mutual production.

Jörg Widmann
Clarinetist, composer and conductor Jörg Widmann is one of the most versatile and intriguing artists of his generation. The 2017/18 season will see him appear as soloist with orchestras such as Wiener Philharmoniker under Valery Gergiev, Helsinki Philharmonic Orchestra with Bertrand de Billy, Yomiuri Nippon Symphony Orchestra under Sylvain Cambreling, City of Birmingham Symphony Orchestra under Mirga Gražinytė-Tyla, SWR Symphonieorchester under Peter Rundel, and Orchester de Paris with Daniel Harding.

This season will also see Jörg Widmann and his work featured in various residencies and portraits. Jörg Widmann is the first Gewandhaus Composer and was commissioned by Gewandhaus Orchester and Boston Symphony Orchestra to compose a new work which will be premiered in Leipzig in March 2018 conducted by Andris Nelsons. At Gewandhaus, Jörg Widmann will be featured in a portrait concert as well as in various chamber concerts and as a soloist.

Further residencies include Orchestre de Paris, Wigmore Hall, City of Birmingham Symphony Orchestra, Mozartwoche Salzburg and Philharmonie Essen.

Chamber music performances in the 2017/18 season include a tour with the Hagen Quartet with performances of his new Clarinet Quintet in Paris, Lugano, Amsterdam, Essen, Berlin, London and Salzburg; trio recitals with Tabea Zimmermann and Dénes Vàrjon in Helsinki, Freiburg, at Kölner Philharmonie, Pierre Boulez Saal Berlin and Wigmore Hall, and recitals at San Francisco Performances, Toppan Hall and the premiere of a new piece written for him by Mark Andre at Wittener Tage für neue Kammermusik. Amongst his regular chamber music partners are renowned soloists such as Sir András Schiff, Daniel Barenboim, Elisabeth Leonskaja and Mitsuko Uchida.

Continuing his intense activities as a conductor, Jörg Widmann will perform this season with the Symphonieorchester des Bayerischen Rundfunk, Budapest Festival Orchestra, Rundfunk-Sinfonieorchester Berlin and as Principal Conductor with the Irish Chamber Orchestra with whom he will embark on a tour throughout Germany including concerts at International Music Festival Heidelberger Frühling, Philharmonie Essen, Mozartfest Würzburg and Leverkusen, followed by the premiere of his new violin concerto with Tokyo Metropolitan Symphony Orchestra and Carolin Widmann at Suntory Hall.

In April 2018 Christian Gerhaher and Bamberger Symphoniker under Jakub Hrůša will premiere his song cycle Das heiße Herz.

Widmann gave the world premiere of Mark Andre’s Clarinet Concerto über at the Donauerschinger Musiktage 2015. Other clarinet concerti dedicated to and written for him include Wolfgang Rihm’s Musik für Klarinette und Orchester (1999) and Aribert Reimann’s Cantus (2006).

Widmann is a Fellow at the Wissenschaftskollegs in Berlin and a full member of the Bayerischen Akademie of Schönen Künste, and since 2007, the Freien Akademie der Künste Hamburg, the Deutschen Akademie der Darstellenden Künste and the Akademie der Wissenschaften und der Literatur Mainz. He is professor for composition at the Barenboim-Said Academy, Berlin.

Booklet for Brahms: Ein deutsches Requiem