Mozart: Haffner-Akademie Anna Prohaska, Ensemble Resonanz & Riccardo Minasi

• Wolfgang Amadeus Mozart )1756 - 1791): Le nozze di Figaro, K. 492, Act IV Scene 10:
• 1 Mozart: Le nozze di Figaro, K. 492, Act IV Scene 10: Recitative "Giunse alfin il momento" 01:10
• 2 Mozart: Le nozze di Figaro, K. 492, Act IV Scene 10: Aria "Deh vieni, non tardar" 02:51
• Cosi fan tutte, K. 588, Act I Scene 11:
• 3 Mozart: Cosi fan tutte, K. 588, Act I Scene 11: Recitative "Temerari, sortite" 01:09
• 4 Mozart: Cosi fan tutte, K. 588, Act I Scene 11: Aria "Come scoglio" 04:10
• Die Entführung aus dem Serail, K. 384, Act II Scene 2:
• 5 Mozart: Die Entführung aus dem Serail, K. 384, Act II Scene 2: Recitative "Welcher Wechsel herrscht" 02:03
• 6 Mozart: Die Entführung aus dem Serail, K. 384, Act II Scene 2: Aria "Traurigkeit ward mir zum Lose" 07:11
• Idomeneo, re di Creta, K. 366, Act III Scene 10:
• 7 Mozart: Idomeneo, re di Creta, K. 366, Act III Scene 10: Recitative "Oh smania! Oh furie!" 02:15
• 8 Mozart: Idomeneo, re di Creta, K. 366, Act III Scene 10: Aria "D'Oreste, d'Aiace" 02:52
• Symphony No. 35 in D Major, K. 385 "Haffner":
• 9 Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito 05:38
• 10 Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante 07:33
• 11 Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": III. Menuetto - Trio 03:21
• 12 Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": IV. Presto 03:44
• La clemenza di Tito, K. 621, Act II Scene 15:
• 13 Mozart: La clemenza di Tito, K. 621, Act II Scene 15: Recitative "Ecco il punto, o Vitellia" 01:51
• 14 Mozart: La clemenza di Tito, K. 621, Act II Scene 15: Aria "Non più di fiori" 07:03
• Idomeneo, re di Creta, K. 366, Act II Scene 2:
• 15 Mozart: Idomeneo, re di Creta, K. 366, Act II Scene 2: Aria "Se il padre perdei" 05:33
• Ch'io mi scordi di te?, K. 505:
• 16 Mozart: Ch'io mi scordi di te?, K. 505: Recitative "Ch'io mi scordi di te?" 01:50
• 17 Mozart: Ch'io mi scordi di te?, K. 505: Aria "Non temer, amato bene" 08:46
• Total Runtime 01:09:00

Info for Mozart: Haffner-Akademie

In this superb programme structured around major pieces composed in the last ten years of Mozart’s life, Anna Prohaska and Riccardo Minasi sweep away the image of the well-mannered figure that tradition has tended to impose. They paint a bracingly complex portrait of the Salzburger after his move to Vienna, subtly blending the maestro’s historical expertise with the vigour and freshness of Resonanz, here in electrifying form.

Anna Prohaska, soprano
Ensemble Resonanz
Riccardo Minasi, direction

Anna Prohaska
Austrian-English soprano Anna Prohaska made her debut aged 18 at Berlin’s Komische Oper as Flora in Britten’s “The Turn of the Screw” and soon after with the Staatsoper Unter den Linden Berlin, entering the ensemble at age 23. She has since gone on to have an extraordinary international career with some of the world’s greatest opera houses and orchestras, though the Staatsoper remains her artistic home.

Operatic highlights include Zabelle in the world premiere of George Benjamin’s “Picture a day like this” and Morgana “Alcina” for the Festival d’Aix-en-Provence, Pamina “Die Zauberflöte”, Constance “Les Dialogues des Carmélites” and Nannetta “Falstaff” for the Royal Opera House, “Pelléas et Mélisande” for the Hamburgische Staatsoper, Anne Trulove “The Rake’s Progress”, Merab “Saul” and Angelica “Orlando” for Theater an der Wien, Zerlina “Don Giovanni” for La Scala, title role “Orphée et Eurydice” for Maggio Musicale Fiorentino, Blonde “Die Entführung aus dem Serail” at Opéra national de Paris, Sophie “Der Rosenkavalier” in Baden-Baden, Iphis “Jephtha” in Amsterdam, as well as Marzelline “Fidelio”, Purcell’s “Fairy Queen”, Blonde, Ännchen “Der Freischütz” and Adele “Die Fledermaus” for the Bayerische Staatsoper. A regular guest at the Salzburg Festival, Anna has appeared as Vitellia, Zerlina, Despina, Deola in Luigi Nono’s “Al Gran Sole Carico d'Amore”, Susanna and Cordelia in Aribert Reimann's “Lear”.

Noted for her diverse repertoire with the Deutsche Staatsoper, her roles include Anne Trulove, Susanna, Sophie, Pamina, Ilia, Oscar, Blonde, Poppea, Euridice, Aricie, Ännchen, Anna Reich as well as world premieres by Beat Furrer and Peter Ruzicka. Conductors she has worked with include Daniel Barenboim, Sir Simon Rattle, Philippe Jordan, Gustavo Dudamel and René Jacobs.

In huge demand on the concert platform, Anna has performed regularly with the Berliner Philharmoniker since her debut with them at age 24, performing under Rattle, Harding and Abbado. Other orchestras include the Vienna Philharmonic under Boulez, the Bavarian Radio Symphony Orchestra under Jansons, Harding, Blomstedt and Nézet-Séguin, the London Symphony Orchestra under Rattle, Los Angeles Philharmonic under Dudamel, the Royal Concertgebouw Orchestra under François-Xavier Roth, the Bavarian Radio Orchestra under John Eliot Gardiner, the Cleveland Orchestra under Welser-Möst and the Boston Symphony Orchestra under von Dohnányi. Recent seasons have included artistic residencies at the Konzerthaus Berlin, Konzerthaus Dortmund, Alte Oper Frankfurt, Kammerakademie Potsdam and the Philharmonie Luxembourg.

Plans for the 23/24 season include Angelica “Orlando” cond. Ivor Bolton for Teatro Real Madrid, Silvia “Violette Schnee” cond. Matthias Pintscher for the Deutsche Staatsoper, L’Ange in Messiaen’s “Saint François d'Assise” cond. Kent Nagano for the Hamburgische Staatsoper and a return to Festival Aix-en-Provence where she appears alongside Patricia Kopatchinskaja in “Songs and Fragments” directed by Barrie Kosky. On the concert platform, Anna gives the world premiere of Rufus Wainwright’s “Dream Requiem” with the Orchestre Philharmonique de Radio France cond. Mikko Franck. Other performances include Mozart's arias cond. Ivor Bolton for the Mozartwoche Salzburg, Mendelssohn’s “Hör mein Bitten” and “Infelice!” Op 94 with the Kammerakademie Potsdam, her “Serpent and Fire” programme with il Giardino Armonico for the Grafenegg Festival, the Paris debut of her “Ophelia” programme at the Athénée Théâtre, as well as appearances with the Phantasm ensemble at the Wigmore Hall, and the London Mozart Players for their 75th-anniversary concert cond. Jonathan Bloxham. Tours in the 23/24 season include a solo concert tour with Ensemble Modern cond. Sir George Benjamin featuring the world premiere of Filidei’s “Cantico delle Creatura”, a collaborative dance project with the Emanuel Soavi Company and Lautten Compagney, and a recital tour of her ‘Paradise Lost’ programme alongside Julius Drake.

Anna’s various recordings and music videos made her the subject of a documentary feature “The Fabulous World of Anna Prohaska” dir. Andreas Morell in 2013. Her first solo album, “Sirène”, was released in 2011 on the Deutsche Grammophon label, followed by “Enchanted Forest” in 2013 and “Behind the Lines” in 2014. Recent albums include chart-topping “Serpent & Fire” with Il Giardino Armonico, “Paradise Lost” with Julius Drake, “Bach: Redemption” with Lautten Compagney and “Celebration of Life in Death” with La Folia Barockorchester for Alpha Classics, and “György Kurtág: Kafka-Fragmente” with Isabelle Faust for Harmonia Mundi. Last season also saw the release of her latest album “Maria Mater Meretrix” with Patricia Kopatchinskaja and Camerata Bern for Alpha Classics.

Booklet for Mozart: Haffner-Akademie