Live In Montreal Hiromi & Edmar Castaneda
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1A Harp In New York 08:38
- 2For Jaco 11:41
- 3Moonlight Sunshine 08:25
- 4Cantina Band 05:06
- 5The Elements: Air 06:52
- 6The Elements: Earth 07:23
- 7The Elements: Water 07:41
- 8The Elements: Fire 09:14
- 9Libertango 07:11
Info for Live In Montreal
What an astonishing idea: Couple the sensational, genre-defying Japanese pianist Hiromi with the spellbinding Colombian harpist Edmar Castenada, who proves that his traditional Andean folk instrument is as unlimited as his musical imagination. Both these people are charmers: Since her 2003 debut recording Another Mind, Hiromi has dazzled listeners with her explosive keyboard technique and performance style. She is classically trained, but clearly loves the spontaneous and unbound aspects of jazz. Castenada, whose father was a famed harpist, hails from Bogota. He emigrated to New York City in 1994, quickly attracting attention. In his hands the harp’s strings ring forcefully, adding unusual counterpoint to jazz’s encounters with all the world's possibilities. What do Hiromi and Castenada sound like in collaboration? Only a few audiences know—this is their first tour together. Bet on their music being fresh and lively.
Ever since the 2003 release of her debut Telarc album, „Another Mind“, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters, taking improvisation and composition to new heights of complexity and sophistication. Most recently, she has had a string of successful albums with the trio of Anthony Jackson on bass and Simon Phillips on drums.
I don’t want to put a name on my music. Other people can put a name on what I do. It’s just the union of what I’ve been listening to and what I’ve been learning. It has some elements of classical music, it has some rock, it has some jazz, but I don’t want to give it a name.” (Hiromi)
Japan has produced an impressive assemblage of jazz pianists; from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Ever since the 2003 release of her debut Telarc CD Another Mind, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters; taking improvisation and composition to new heights of complexity and sophistication. Her new CD, Alive, her ninth as a leader, features her critically-acclaimed Trio Project, consisting of contrabass guitarist Anthony Jackson (Steely Dan, Paul Simon, Michel Camilo, The O’Jay’s, and Chick Corea) and drummer Simon Phillips (Toto, The Who, Judas Priest, David Gilmour, and Jack Bruce).
“Hiromi is one of the most remarkable pianists of the past half century.” (All Music Guide)
Hiromi Castaneda, piano
Edmar Castaneda, harp
Born in Hamamatsu, Shizuoka, Japan on March 26, 1979, Hiromi’s piano lesson’s started when she was six, and she performed her first recital at that age. Her first teacher, Noriko Hikida, encouraged her to access both the intuitive and technical aspects of music. “Her energy was always so high, and she was so emotional,” Hiromi says of Hikida. “When she wanted me to play with a certain kind of dynamics, she wouldn’t say it with technical terms. If the piece was something passionate, she would say, ‘Play red.’ Or if it was something mellow, she would say, ‘Play blue.’ I could really play from my heart that way, and not just from my ears.”
Hikida also exposed Hiromi to jazz and introduced her to the great pianist Errol Garner and Oscar Peterson. She enrolled in the Yamaha School of Music at age six, and started to write music at same time.
"The Colombian plays the harp like hardly anyone else on earth. His hands, seemingly powered by two different people, produce a totally unique, symphonic fullness of sound, a rapid-fire of chords, balance of melodic figures and drive, served with euphoric Latin American rhythms, and the improvisatory freedom of a trained jazz musician...captivating virtuosity, but in no way only virtuosity for its own sake." - Frankfurter Allgemeine Zeitung
"Mr. Castañeda strummed, plucked, rubbed, jabbed and pounded on his cobalt blue Llanera harp as he conjured different shaped notes, harmonic textures and steady bass rhythms from the instrument's 34 strings. About the only thing he didn't do was light it on fire." - Wall St Journal
Edmar Castaneda was born in 1978, in the city of Bogotá, Colombia. Since his move to the United States in 1994, he has taken New York and the world stage by storm with his virtuosic command of the harp - revolutionizing the way audiences and critics alike consider the instrument. A master of beautifully complex timing, lush colors and dynamic spirit, Edmar has been called “almost a world unto himself” -The New York Times.
The legendary Paquito D’Rivera, Edmar’s frequent collaborator, describes him as "an enormous talent. With his versatility and enchanting charisma, he has taken his harp out of the shadows, and become one of the most original musicians in the Big Apple.”
Not unlike other exceptional musicians who have transformed their lives through art, Castaneda’s journey has humble, inspiring beginnings. The son of a musician and a mother who nurtured Edmar’s obvious natural talents, he embraced the noble folkloric traditions of his native Colombia. The joropo dance classes he attended with his sister were a masterclass in movement, accompanied by the harp. In the mid-1990s, he moved to New York, and studied jazz trumpet, before returning to the harp. Today, on stages all over the world, it is remarkable how Edmar’s body engulfs his Colombian harp as he crafts almost unbelievable feats of cross- rhythms, layered with chordal nuances to rival even the most celebrated flamenco guitarists, and an incredible blend of musical influences.
"His music draws on the traditional joropo music of the grasslands he absorbed early, as well as tango, Brazilian and flamenco guitar, West African kora and virtuoso jazz pianists like Art Tatum. That's a fascinating mix, but his technique is the real astonishment. Castañeda juggles lead, rhythm and bass lines, using a variety of hard and soft string attacks to keep those voices distinct — all without giving up the groove." - NPR Music
Edmar Castaneda's performing career has recently included feature spots at Paquito D’Rivera’s Carnegie Hall tribute, the DC Jazz Festival, Jazz at Lincoln Center, the John F. Kennedy Center for the Performing Arts, the Tanglewood Jazz Festival, the 10th World Harp Congress, and numerous other dates with artists such as D’Rivera, Wynton Marsalis and the Jazz at Lincoln Center Orchestra, John Scofield, Chico O’Farrill‘s Afro- Cuban Jazz Big Band, John Patitucci, and many more. Edmar has been Marcus Miller’s special guest, and he has also opened for Ricki Lee Jones, Diana Krall, The Yellowjackets, & Paco De Lucia.
A committed teacher, Edmar's residencies have included a week long initiative and performance at The Banff Centre with fellow faculty member Dave Douglas and other jazz luminaries, as well as an interactive workshop at the Berklee College of Music. This focused on Latin culture, culminating in a full-on tribute to the late great Mambo King, Israel "Cachao" López. He is frequently invited to give masterclasses and workshops in diverse musical contexts worldwide, and is also increasingly recognized as a composer.
Edmar has released three recordings, collaborating with artists such as John Scofield, Gonzalo Rubalcaba, Miguel Zenon and Marshall Gilkes, and catching the attention of reviewers and legions of fans alike. His latest album, "Double Portion", was described as "redefining depth, skill and emotion" by Rob Young in Urban Flux Magazine. About his previous disc, "Entre Cuerdas", Jeff Tamarkin wrote in JazzTimes "it is hard to imagine the Colombian musician has much contemporary competition. That the harp sounds so natural in this context makes you wonder why so few have thought to utilize this many-stringed instrument as a viable lead instrument."
Together with the French manufacturers, Camac Harps, Edmar Castaneda has developed a new instrument. The E C Llanera is a state-of-the-art version of the traditional arpa llanera of Colombia and Venezuela. Alongside its many structural improvements, it is also the first llanera harp with levers. This increase the instrument's potential for chromaticism and unlocks new musical potential for the instrument and Latin American music.