Album info

Album-Release:
2019

HRA-Release:
26.07.2019

Label: Universal Music

Genre: Classical

Subgenre: Chamber Music

Artist: Maddalena Del Gobbo, Robert Bauerstatter, David Pennetzdorfer, Ewald Donhoffer

Composer: Franz Xaver Hammer (1741-1817), Andreas Lidl (1740-1789), Franz Joseph Haydn (1732-1809)

Album including Album cover

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  • Franz Joseph Haydn (1732 - 1809): Baryton Trio No.113 in D:
  • 1Baryton Trio No.113 in D: 1. Adagio05:39
  • 2Baryton Trio No.113 in D: 2. Allegro di molto02:34
  • 3Baryton Trio No.113 in D: 3. Menuet: Allegretto02:42
  • Andreas Lidl (1740 - 1789): Divertimento No. 3 in G Major for Baryton, Viola and Violoncello:
  • 4Divertimento No. 3 in G Major for Baryton, Viola and Violoncello: 1. Moderato03:25
  • 5Divertimento No. 3 in G Major for Baryton, Viola and Violoncello: 2. Andante05:06
  • 6Divertimento No. 3 in G Major for Baryton, Viola and Violoncello: 3. Presto01:56
  • Franz Xaver Hammer (1741 - 1817): Sonata No. 1 in A Major for Viola da Gamba and Harpsichord:
  • 7Sonata No. 1 in A Major for Viola da Gamba and Harpsichord: 1. Adagio04:53
  • 8Sonata No. 1 in A Major for Viola da Gamba and Harpsichord: 2. Allegro (tempo giusto)05:14
  • 9Sonata No. 1 in A Major for Viola da Gamba and Harpsichord: 3. Menuetto03:13
  • 10Sonata No. 1 in A Major for Viola da Gamba and Harpsichord: 4. Rondo (scherzando)02:30
  • 11Sonata No. 1 in A Major for Viola da Gamba and Harpsichord: 5. Hongarese00:45
  • Franz Joseph Haydn: Divertimento No. 27 in D Major for Baryton, Viola and Violoncello:
  • 12Divertimento No. 27 in D Major for Baryton, Viola and Violoncello: 1. Adagio cantabile04:28
  • 13Divertimento No. 27 in D Major for Baryton, Viola and Violoncello: 2. Allegro di molto03:10
  • 14Divertimento No. 27 in D Major for Baryton, Viola and Violoncello: 3. Menuet (Allegretto) - Trio - Menuet02:22
  • Luigi Tomasini (1741 - 1808): Trio in C Major for Baryton, Viola and Violoncello (Kor. 19):
  • 15Trio in C Major for Baryton, Viola and Violoncello (Kor. 19). 1. Allegro spiritoso03:01
  • 16Trio in C Major for Baryton, Viola and Violoncello (Kor. 19). 2. Menuetto - Trio - Menuetto02:47
  • 17Trio in C Major for Baryton, Viola and Violoncello (Kor. 19). 3. Rondo (Allegretto)03:01
  • Franz Joseph Haydn: Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi":
  • 18Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 1. Adagio cantabile05:35
  • 19Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 2. Allegro di molto02:38
  • 20Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 3. Menuet02:38
  • 21Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 4. Polonaise01:18
  • 22Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 5. Adagio01:21
  • 23Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 6. Menuet01:36
  • 24Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 7. Fuga: Presto01:47
  • Total Runtime01:13:39

Info for Maddalena And The Prince



Join me in dipping into the world of Prince Nikolaus Esterházy, who was known as “the Magnificent”, and his beloved music. The baritone, the instrument on this album, is also magnificent: six (gut) strings to be bowed, nine or more resonating strings (made of metal), a carved head atop the neck, delicate ornamentation and a noble, graceful sound.

Maddalena and the Prince: the prince being Nikolaus Esterházy as well as the noble instrument – in my opinion the baritone is the “prince” of instruments, which can produce the loveliest and most charming sound and whose appearance alone makes hearts leap.

The thrill of recording these works in the Haydnsaal of the Esterházy Palace, drinking in the atmosphere of this magical location while playing, was an unforgettable experience for me and one for which I am truly grateful.

Maddalena Del Gobbo is the only Deutsche Grammophon Viola da Gamba recording artist. An award winning musician, she has performed extensively across Europe and in Asia.

Maddalena first came in contact with the viola da gamba when she entered a record shop on the heart of Vienna and was mesmerized by an enchanting sound she would never forget. She still finished her studies as a cellist, received a MA and performed in many concert halls as a soloist and chamber musician. All this time, she never forgot the viol and secretly honed her skills until, one day, she decided to make the viol her focal point and to dedicate her life to baroque music.

Maddalena Del Gobbo was born in Italy and started studying music at a very early age. At the age of four, she began learning the piano and gradually added the cello and singing to her musical education. At 13 years old, her unusual talent brought her to Vienna, where she studied the cello at the Konservatorium Wien Privatuniversität.

“Sensuality, brilliance and an utterly perfect technique” (Heinz Sichrovsky, NEWS (Austria)

"This album charts a significant but little-documented episode in the history of Western music, the decade-long obsession of Prince Nikolaus Esterházy for the baritone. The instrument is a Baroque-era elaboration of the viola da gamba, similar in shape and with seven gut playing strings, which are bowed and stopped at frets. But the baritone also has 10 sympathetic strings, which run under the fingerboard. A hole in the back of the neck allows the player to pluck these strings with the thumb of the left hand, and in the Baroque era, music for baritone often consisted of a bowed melody line accompanied by a plucked thorough bass." (Fanfare magazine)

Maddalena Del Gobbo, baritone, viola da gamba
Robert Bauerstatter, viola
David Pennetzdorfer, cello
Ewald Donhoffer, harpsichord (Tracks 7–11)



Maddalena Del Gobbo
Maddalena was born in Italy and started studying music at a very early age. At 13 her musical talent brought her to Vienna, where she studied cello at the Vienna Conservatory. She first came in contact with the viola da gamba when she entered a record shop in the heart of Vienna and was mesmerized by an enchanting sound she would never forget. She later decided to make the viol her focal point and to dedicate her life to baroque music.

This album contains no booklet.

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