Schostakowitsch: Doppeltes Spiel -playing a double game (CD 1 - 3 in German) Symphonieorchester des Bayerischen Rundfunks & Mariss Jansons

• Dmitri Shostakovich (1906 - 1975), Johann Sebastian Bach (1685 - 1750), Nikolai Ikonnikow (1885 - 1970): Doppeltes Spiel:
• 1 Shostakovich, Bach, Ikonnikow: Shostakovich Doppeltes Spiel: No. 1, Roter Oktober 24:09
• Dmitri Shostakovich (1906 - 1975), Alexander Mosolov (1900 - 1973): Doppeltes Spiel:
• 2 Shostakovich, Mosolov: Shostakovich Doppeltes Spiel: No. 2, Die wilden Zwanziger 23:26
• Dmitri Shostakovich (1906 - 1975): Doppeltes Spiel:
• 3 Shostakovich: Shostakovich Doppeltes Spiel: No. 3, Das goldene Zeitalter 25:03
• 4 Shostakovich: Shostakovich Doppeltes Spiel: No. 4, Stalin geht in die Oper 24:50
• 5 Shostakovich: Shostakovich Doppeltes Spiel: No. 5, Frieden und Krieg 24:48
• 6 Shostakovich: Shostakovich Doppeltes Spiel: No. 6, Volksfeindliche Tendenzen 25:21
• 7 Shostakovich: Shostakovich Doppeltes Spiel: No. 7, Die Fratze Stalins 24:30
• 8 Shostakovich: Shostakovich Doppeltes Spiel: No. 8, Tauwetter 23:16
• 9 Shostakovich: Shostakovich Doppeltes Spiel: No. 9, Held der sozialistischen Arbeit 24:38
• 10 Shostakovich: Shostakovich Doppeltes Spiel: No. 10, Der Lauf der Zeit 25:55
• Symphony No. 5 in D Minor, Op. 47:
• 11 Shostakovich: Symphony No. 5 in D Minor, Op. 47: I. Moderato - Allegro non troppo 14:56
• 12 Shostakovich: Symphony No. 5 in D Minor, Op. 47: II. Allegretto 05:33
• 13 Shostakovich: Symphony No. 5 in D Minor, Op. 47: III. Largo 13:01
• 14 Shostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo 10:53
• Total Runtime 04:50:19

Info for Schostakowitsch: Doppeltes Spiel -playing a double game (CD 1 - 3 in German)

For the first time, the successful series of BR-KLASSIK audio biographies is devoting itself to a 20th-century composer: Dmitri Shostakovich. His symphonies are still highlights in the concert hall, and his fate has inspired great novels. But what do we really know about his life? He liked to play his cards close to his chest – and had good reason to do so... Dmitri Shostakovich himself claimed that his life was “rather grey and colorless". In reality, it was the most exciting composer's life of the 20th century. Revolution and civil war, Stalin's murderous terror, then the Second World War, the "thaw" under Khrushchev and finally Brezhnev's brutalist socialism: the whole tragic history of the Soviet Union runs like a thread through his work. As a functionary who seemed to be loyal to the party line, he played along - but his music spoke against the regime and in favor of its victims and of the freedom of art. "This is a game that can end badly," Stalin threatened, probably in person. Shostakovich was thus obliged to fight his own fears as well. He was playing a double game - and knew it was dangerous. This audio biography draws on many sources, some of them still little-known in Germany. The result is a comprehensive, colorful and detailed picture of the composer’s life, and contains several surprises – also with regard to his private life, which should not pale behind the historical panorama. Like every great composer, Shostakovich had his crises and affairs, his great sufferings and small joys.

Symphonieorchester des Bayerischen Rundfunks
Mariss Jansons, conductor
Udo Wachtveitl, narrator
Ulrich Matthes as Dmitri Schostakowitsch

Mariss Jansons
son of conductor Arvıds Jansons, was born in Riga in 1943. He studied violin, piano, and conducting at the Leningrad Conservatory, completing his education as a student of Hans Swarowsky in Vienna and of Herbert von Karajan in Salzburg. In 1971 he became a laureate of the Karajan Competition in Berlin and began his close partnership with the St. Petersburg Philharmonic, first as an assistant to Yevgeny Mravinsky and then as a permanent conductor. From 1979 to 2000 Jansons served as Music Director of the Oslo Philharmonic Orchestra. Under his tenure, the orchestra earned international acclaim and undertook tours to leading concert halls around the world. Between 1997 and 2004 he was Principal Conductor of the Pittsburgh Symphony Orchestra, and in the 2003–2004 season he took over leadership of the Bavarian Radio Symphony Orchestra, where he is extending his contract until 202; he began his tenure as head of the Royal Concertgebouw Orchestra in the 2004–2005 season, and ended it in 2015. Jansons is guest conductor of the Berlin and Vienna Philharmonic Orchestras (in Vienna in 2016 he will be conducting the New Year’s concerts for a third time); he has additionally conducted the leading orchestras in the U.S. and Europe. His discography comprises many prizewinning recordings, including a Grammy for his account of Shostakovich’s 13th Symphony. Mariss Jansons is an honorary member of the Society of Friends of Music in Vienna and of the Royal Academy of Music in London; the Berlin Philharmonic has honoured him with the Hans-von-Bülow Medal, the City of Vienna with the Golden Medal of Honour, and the State of Austria with the Honorary Cross for Science and Arts. In 2006 Cannes MIDEM named him Artist of the Year, and he received the ECHO Klassik Award in 2007 and 2008. In June 2013, for his life’s work as a conductor, he was awarded the prestigious Ernst von Siemens Music Prize, and on 4 October 2013, he was awarded the Federal Cross of Merit 1st Class by German Federal President Joachim Gauck in Berlin. In France in 2015, the Ministry of Culture named Mariss Jansons “Commandeur des Arts et des Lettres“.

Symphonieorchester des Bayerischen Rundfunks
Not long after it was established in 1949, the Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) developed into an internationally renowned orchestra. The performance of new music enjoys an especially long tradition, and right from the be- ginning, appearances in the musica viva series, created by composer Karl Amadeus Hartmann in 1945, have ranked among the orchestra’s core activities. On extensive concert tours to virtually every country in Europe, to Asia as well as to North and South America, the Symphonieorchester des Bayerischen Rundfunks continually con rms its position in the first rank of top international orchestras. The history of the Symphonieorchester is closely linked with the names of its previous Chief Conductors: Eugen Jochum (1949–1960), Rafael Kubelík (1961– 1979), Sir Colin Davis (1983– 1992) and Lorin Maazel (1993–2002). In 2003, Mariss Jansons assumed his post as new Chief Conductor. With a number of CD releases, among others a series of live recordings of concerts in Munich, Mariss Jansons continues the orchestra’s extensive discography. Maestro Jansons, the Chor and Symphonieorchester des Bayerischen Rundfunks were honoured for their recording of the 13th Symphony of Shostakovich when they were awarded a Grammy in February of 2006 in the “Best Orchestral Performance” category. In December, 2008, a survey conducted by the British music magazine Gramophone listed the Symphonieorchester des Bayerischen Rundfunks among the ten best orchestras in the world. In 2010, Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks received an ECHO Klassik Award in the category “Orchestra/Ensemble of the Year” for their recording of Bruckner’s 7th Symphony on BR-KLASSIK. The complete Beethoven symphonies, performed by the Symphonieorchester under Mariss Jansons in Tokyo in the autumn of 2012, were voted by the Music Pen Club Japan – the organisation of Japanese music journalists – as the best concerts by foreign artists in Japan in 2012.

Booklet for Schostakowitsch: Doppeltes Spiel -playing a double game (CD 1 - 3 in German)